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IT STARTED WITH A KISS

Billie Myers
The first time Danny Myers had any inkling that his daughter Billie was making a bid for pop stardom was in a frantic transatlantic phone call.
A relative was on the line from Canada asking him: "Why is our Billie on the television?"
The 27 year old still doubles up with laughter at the memory. "I didn't even tell my Dad what I was doing", she says. "He kind of flipped out, bless him. And he sulked that I hadn't told him I was on TV - not that he would have been able to watch it anyway. Nobody, least of all me, expected to be performing on television. My friends just think I'm a lucky bugger."
When Billie returned home to Coventry to give her stunned father an explanation, her debut single Kiss The Rain had gone straight into the charts at No. 4.
"He took me into the kitchen and told me that he knew about the music business, he knew about pressures, and he didn't want me taking drugs," she recalls. "I felt five years old again."
Though its clear she adores her father, Biilie's upbringing was hardly ideal. her parents split up when Billie was three and she spent several years with foster families before being reunited with her father. She gets angry that her childhood is constantly raked over for clues to her creative life, although the experience clearly informs her music. "I'm not some sort of cliche screw-up," she insists.
On the day of our meeting Billie's holed up in a dimly-lit hotel room recovering after scratching the cornea in her eye. She's in blue pyjamas, her eyes hidden behind dark glasses, and she admits she's been feeling sorry for herself. But still, she's willing to chat, so we carry out our conversation in the gloom with her tucked in bed.
Billie, who's new single, Tell Me, is out now, admits the idea of pop stardom started as a joke. She originally wanted to be a lawyer but went nursing before moving to London to sell insurance. then, following a chance meeting with legendary writer-producer Pete Q Harris in a nightclub, she started to take the thought of a career in music seriously.
"It started of as a laugh, a couple of hours a week trying my hand at singing. It was a lark. When I signed a publishing deal with EMI I realised I had to decide whether to take it seriously.
I gave myself a year. The money they gave me was enough to cover the mortgage for a year and I worked it out to the last penny. Then, just as the last penny was about to roll away, I got a recording contract with Universal.
I work a lot harder now than I ever did before - although I think I'm more of a geek than before. I'm still deadimpressed by everything. Ironically, I probably had more freedom when I was in insurance. In the music business, everything is mapped out for you so you're in the right part of the world at the right time. It's hard, but right now I'm a one hit wonder although I do have a steely resolve. I'm quietly confident I won't be disappearing just yet."
Although Billie has been compared with American female songwriters like Alanis Morisette, Sheryl Crow and meredith Brookes, she is determined to stress her British roots.
"Its important that I'm successful here - I'm English and I'm proud of that," she explains. "This is my home. Being successful here is more important than being a success in America, although in financial terms, America's the place. But here is where my family and friends are. I always get a smile on my face when I get on the plane home."
The video for Tell Me is something her American rivals may have baulked at - a no holds-barred collage of sexual fanatasies which had her record company reaching for the smelling salts.
"It's a very shy, laid back piece," she laughs. "I had so much fun doing it. There I am with hair extensions, huge boobs, dressed up as a dominatrix. It was two days of sheer fun.
I wouldn't necessarily do any of these things in the privacy of my own bedroom, although I'll do it in front of millions of TV viewers. Hmmm, that's a bit worrying, isn't it? What will the shrinks say? At least my Dad hasn't seen it. I'm so glad he hasn't got MTV!"


- article by Richard Wallace, A-list, July 17 1998

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